Sinema II: Zaman-İmge
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CRC 11292
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Cinema theory is not about cinema ‘, but about concepts caused by cinema that are themselves related to other concepts corresponding to other practices.
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- Sinemaya yoğunlaştığı çalışmasının bu ikinci cildinde Gilles Deleuze, ilk ciltte (Sinema I: Hareket-İmge) Peirce’ten esinlenerek geliştirdiği sinemaya özel göstergeler tablosunu sinemada ortaya çıkan yeni kavramsal pratiklerin izini sürerek tamamlıyor. Bunun için, 2. Dünya Savaşı öncesi sinemayı karakterize eden eylem temelli sinemadan farklı, duyu-motor zincirinin koptuğu ve bu sayede zamanı dolaysız bir şekilde sunma kapasitesine kavuşan yeni bir imge türü ayırt ediyor. Deleuze’ün zaman-imge kavramıyla karşıladığı bu yeni sinemada temel soru “sonraki imgede ne göreceğiz?” olmaktan çıkıp “imgede görülecek olan nedir?” haline gelecektir. “Pek çok kişi için, felsefe ‘yapılan’ bir şey değil, hazır bir gökyüzünde halihazırda yapılmış olarak bulunan bir şeydir. Ne var ki felsefi kuramın kendisi de, nesnesi kadar bir pratiktir. Nesnesinden daha soyut değildir. Bir kavramlar pratiğidir ve onu iç içe geçtiği diğer pratiklerin ışığında yargılamak gerekir. Bir sinema kuramı sinema ‘üzerine’ değil, sinemanın yol açtığı ve kendileri de başka pratiklere karşılık gelen başka kavramlarla ilişki içerisinde olan kavramlar üzerinedir ve bir nesnenin diğer nesnelere göre bir önceliği olmadığı gibi, genel olarak kavram pratiğinin de diğer pratiklere göre hiçbir önceliği yoktur. (...) Büyük sinema yönetmenleri büyük ressamlar veya büyük müzisyenler gibidir: kendi yaptıkları hakkında en iyi konuşacak olan onlardır. Fakat konuşurken başka bir şey haline gelirler; filozof veya kuramcı olurlar; kuramlarla işi olmayan Hawks için dahi, kuramları küçümser gibi yapan Godard için dahi bu geçerlidir. Sinemanın kavramları sinemada verili değildir. Yine de bunlar sinemanın kavramlarıdır, sinema üzerine kuramlar değil. Öyle olur ki, daima günün öyle bir saati gelir ki, gece yarısında veya gün ortasında artık ‘sinema nedir?’ diye değil, ‘felsefe nedir?’ diye sormak gerekir.” Bir imge nasıl ayakta kalıyor, işte bütün mesele bu! Çevirmen Adı: Emre Koyuncu, Burcu Yalım Daha fazla göster
| Yayıncı | Norgunk Yayıncılık |
| Yayınlanma Tarihi | 30 Nisan 2025 |
| Baskı | Klasik Baskı |
| Baskı Uzunluğu | 343 sayfa |
| Okuma yaşı | 12 yaş ve üzeri |
| Boyutlar | 15 x 21.5 x 2.4 cm |
Who Should Buy?
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Film Students
Ideal for film students studying cinematic techniques and exploring time-image concepts through practical examples.
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Art Enthusiasts
Perfect for art enthusiasts who appreciate the intersection of film, visual arts, and philosophy in cinema.
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Collectors
A must-have for collectors of unique film memorabilia or those interested in limited edition cinema items.
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Casual Viewers
Not suitable for casual viewers who prefer mainstream films without complex narrative or philosophical elements.
Product Description
Customer Questions & Answers
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Question:
What is the main focus of Cinema II: Time-Image?
Answer: It focuses on the evolution of cinema and introduces the concept of the time-image, differentiating it from traditional action-based cinema. -
Question:
Who is the author of Cinema II: Time-Image?
Answer: The author is Gilles Deleuze, a prominent philosopher known for his work in cinema theory. -
Question:
What can readers expect to gain from this book?
Answer: Readers can expect to gain a richer understanding of cinema's conceptual practices and its relationship with philosophy.
Gilles Deleuze Format: Karton Kapak Editorial Review
Sinema II: Zaman-İmge is an enthralling publication by Norgunk Yayıncılık, set to be released on April 30, 2025. It features a classic print format across 343 pages, making it a substantial read for those aged 12 and above. The dimensions are conveniently sized at 15 x 21.5 x 2.4 cm, making it easy to handle whether at home or on the go. This book is poised to captivate its readers, as evidenced by the excitement already surrounding its upcoming release.
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Pros
- Engaging content for readers aged 12 and above
- Well-structured with 343 informative pages
- Published by a reputable publisher
- Compact size for easy reading and transport
- Classic print format adds to its appeal
Cons
- Awaiting release date might be a downside for eager readers
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CRC 11292
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Features & Benefits
- Explore Gilles Deleuze's profound insights on cinema.
- Understand the evolution from action-based cinema to the time-image.
- Delve into how cinema influences and intertwines with philosophical concepts.
- Reflect on the importance of understanding cinema beyond its visual elements.
- Learn how great directors embody philosophical thinking through their work.
- Discover a deeper appreciation of cinema as a practice of concepts.
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